Bis 1967 komponierte er für die MBA Musik in NYC und hatte die Leitung inne. Despite the low profile, he did record six albums as a leader between 1977 and 1984 (including a 1984 trombone duo album with Al Grey) and a few albums as a sideman, two with Basie, and on The Sting II soundtrack.

Johnson's 1963 solo album J. He retired from active performing and touring in late 1996, after having performed his last concert at William Paterson College on November 10, 1996, then choosing to stay at his home in Indianapolis where he could indulge his passion of composing and arranging music with computers and MIDI. Subscribe: Apple Podcasts | Android | RSS. Das Resultat hieraus war ein trockener, dennoch überaus attraktiver Sound, der ein wenig an ein Waldhorn erinnert. Viele seiner orchestrierten Werke enthalten sowohl fugato-Passagen und choralartige „out of tempo“-Elemente als auch konventionelle Swing-Abschnitte. In 1958–59 Johnson was one of three plaintiffs in a court case which hastened the abolition of the cabaret card system.[4]. Im August 1954 gründete Johnson zusammen mit dem Posaunisten Kai Winding ein Duo namens Jay and Kai, das eingebettet in ein Quintett bis 1956 aktiv bleiben und extrem erfolgreich sein sollte – und somit Johnson einem breiteren Publikum bekannt machte. B. der verminderten Quint (als Bebop-typischer Blue Note) – orientierten. The duo reunited again in 1958 for a tour of the UK, an Impulse!

[6] His funeral in Indianapolis drew jazz musicians, friends and family from around the country. Bis zum Mai 1945 spielte Johnson bei Count Basie – größtenteils in New York, wohin er Mitte 1946 übersiedelte, um für die nächsten Jahre mit kleinen Gruppen in diversen Clubs mit Bebop-Größen wie u. a. James Louis Johnson (January 22, 1924 – February 4, 2001)[1] was an American jazz trombonist, composer and arranger. Following the mid-1950s collaboration with Winding, J. J. Johnson began leading his own touring small groups for about 3 years, covering the United States, United Kingdom and Scandinavia.

Gretsch Drums is an iconic American drum brand manufactured in Ridgeland, South Carolina. The CRASH Course to Success Part 4: Skill; Don’t Disturb the Groove! J.“ Johnson (* 22. Following this second comeback in 1992, Johnson's contracts with a variety of record labels, including Verve and Antilles, resulted in five albums as a leader, from small groups to separate brass orchestra and string orchestra recordings, as well as sideman appearances with his leading disciple, trombonist Steve Turre, and the vocalist Abbey Lincoln. Mit dem Nonett von Davis war er an der Einspielung von Birth of the Cool beteiligt. He also toured with the Jazz at the Philharmonic show in 1957 and 1960, the first tour yielding a live album featuring Johnson and tenor saxophonist Stan Getz. J.J. also holds the drumset chair with underground blues/rock phenom Doyle Bramhall II, perhaps best known for his work in Eric Clapton’s band.

Während der 1940er Jahre hindurch entwickelte Johnson eine solche Schnelligkeit und technische Beherrschung des Instruments, dass viele Hörer seiner Platten damals fälschlicherweise davon ausgingen, Johnson spiele Ventilposaune: Johnsons hohes Spieltempo und die dabei dennoch weiterhin bestehende akkurate Klarheit gelten bis dato als unerreicht. Nachdem er 1995 ein letztes Konzert im Jazz Kitchen in Indianapolis gegeben hatte, gab er im Juni 1997 im Down Beat den Rückzug aus dem aktiven Musikgeschäft bekannt, um noch an eigenen Kompositionen und mit Joshua Berret und Louis Bourgois III an seiner Autobiographie The Musical World of J. J. Johnson zu arbeiten. In 1941, he began his professional career with Clarence Love, and then played with Snookum Russell in 1942. These groups (ranging from quartets to sextets) included tenor saxophonists Bobby Jaspar and Clifford Jordan, cornetist Nat Adderley, trumpeter Freddie Hubbard, pianists Tommy Flanagan and Cedar Walton, and drummers Elvin Jones, Albert "Tootie" Heath, and Roach. James Louis „J. For other people named J. J. Johnson, see J. J. Johnson (disambiguation). During this period Johnson cancelled all work, devoting his energy to caring for his ailing wife.

They recorded an entire album of the music of Kurt Weill. Following the six months he spent writing Perceptions (see below), Johnson entered the studio for a date with André Previn's trio (adding Johnson as the only horn). The duo also made some jazz festival appearances in Japan in the early 1980s, the last shortly before Winding died in May 1983. And not only, of course, is he the master of the trombone—the definitive master of this century—but, as a composer and arranger, he is in the top shelf as well."[8]. On June 25, 2019, The New York Times Magazine listed J. J. Johnson among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. Oktober 2020 um 09:48 Uhr bearbeitet. He wrote a book of original exercises and études for jazz musicians, published later by Hal Leonard. On February 4, 2001, he took his own life by shooting himself. The First International Jazz Festival, held in Washington, D.C. in 1962, featured another extended work. He was voted into the Down Beat Hall of Fame in 1995. J.J.’s performance on Bramhall’s album Welcomeis simply brilliant. In 1968, a Johnson work titled "Diversions" was commissioned by the American Wind Symphony and performed. Die 1960er Jahre hindurch kombinierte Johnson seine Karrieren als Posaunist und Arrangeur/Komponist: Er spielte mit der Miles Davis Gruppe (1961/62), formierte seine eigene Band (1963) und leitete während einer Japan-Tournee ein eigenes Sextett u. a. mit Clark Terry und Sonny Stitt. James Louis Johnson (January 22, 1924 – February 4, 2001) was an American jazz trombonist, composer and arranger. JJ Johnson may fly under the radar a bit, but that’s a conscious choice. Von 1942 bis 1945 war Johnson Mitglied des Benny Carter Orchesters, mit dem er tourte und in zahlreichen Radioshows spielte. After her death in 1991, he dedicated an album to her on Concord. JJ Johnson may fly under the radar a bit, but that’s a conscious choice. [3] In 1945 he joined the big band of Count Basie, touring and recording with him until 1946. Aufgrund der schlechter werdenden eigenen finanziellen Situation arbeitete Johnson als Inspekteur bei der Sperry Gyroscope Company und trat in dieser Zeit nur sporadisch auf. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did. Johnson played in Benny Carter's orchestra between 1942 and 1945, and made his first recordings in 1943 under Carter's leadership, recording his first solo (on Love for Sale) in October 1943. From the mid-1950s, but especially the early 1960s on, Johnson dedicated more and more time to composition. A biography, titled The Musical World of J. J. Johnson, was published in 2000.

1964 saw the recording of his last working band for a period of over 20 years – Proof Positive. Neben dem mittlerweile erreichten Ansehen als führender Jazz-Posaunist zog er nun auch durch seine Third-Stream-Komposition Poem for Brass (alias Jazz Suite for Brass) Aufmerksamkeit als Arrangeur auf sich. Johnson returned to performing and recording in November 1987, with an engagement at the Village Vanguard in New York City. Eddie Bayers — Overcoming The Obstacles. Several of Johnson's compositions, including "Wee Dot", "Lament", and "Enigma" have become jazz standards. Sein erstes aufgenommenes Solo war 1943 das über Love for Sale.

After studying the piano beginning at age 9, Johnson decided to play trombone at the age of 14. In January 1967, Johnson and Winding were in an all-star line-up (alongside the likes of Clark Terry, Charlie Shavers and Joe Newman) backing Sarah Vaughan on her last sessions for Mercury Records, released as the album Sassy Swings Again, with three of the cuts, including Billy Strayhorn's "Take the "A" Train", being arranged by Johnson himself. Part 2: Hi-Hat Substitutions ; Improve Your Bottom Line Part 3: Bass Drum Comping in 5/4; Search for: Related Articles. In 1951, with bassist Oscar Pettiford and trumpeter Howard McGhee, Johnson toured the military camps of Japan and Korea before returning to the United States and taking a day job as a blueprint inspector. He earned several Grammy nominations during this period. 's Broadway is an example of both his mature trombone style and sound, and his arranging abilities. In den Jahren 1941/42 tourte er mit Bands unter der Leitung von Clarence Love und Isaac Snookum Russell, dessen Trompeter Fats Navarro großen Einfluss auf Johnsons Spielweise hatte.

In Russell's band he met the trumpeter Fats Navarro, who influenced him to play in the style of the tenor saxophonist Lester Young. In den Jahren 1941/42 tourte er mit Bands unter der Leitung von Clarence Love und Isaac „Snookum“ Russell, dessen Trompeter Fats Navarro großen Einfluss auf Johnsons Spielweise hatte. In Oscar Pettifords Band tourte Johnson 1951 durch Korea, Japan und den Südpazifik; 1952 tourte er mit einer All-Star-Band, der u. a. The two-trombone jazz combo setup pioneered by Johnson and Winding has been imitated by more recent trombonists, with such combinations as Jim Pugh/Dave Taylor, Conrad Herwig/Steve Davis, and Michael Davis/Bill Reichenbach. I'd love to hear your thoughts on how I can make Drummers Resource better. But then again, isn’t that what playing music should always be about? A year later the former Carolyn Reid became his second wife, and Johnson began actively performing once again. Nebenher unterrichtete er an der Lenox School of Jazz in Massachusetts und schrieb an einer neuen Third-Stream-Komposition, Perceptions für Dizzy Gillespie. Seine frühen Aufnahmen (etwa bis 1945) zeugen von einem „dicken“ Ton, einer eher aggressiven Spielweise sowie beeindruckender Beweglichkeit und ähneln durchaus noch seinen frühen Vorbildern Lester Young, Roy Eldridge sowie Fred Beckett – letzterer betonte eher die linearen Qualitäten der Posaune als das effektvolle Einsetzen des Zuges. [7], Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J. J. did for the trombone what Charlie Parker did for the saxophone. Januar 1924 in Indianapolis, Indiana; † 4. The inventive arrangements and inspired playing of both stars on Andre Previn and J.J. Johnson Play 'Mack The Knife' and Other Kurt Weill Songs bore out the producer's foresight, yet this recording was not officially released on CD until after his death. by Robyn Flans. Er steuerte hier auch einige Arrangements bei. In 1962 Johnson toured for a number of months with Davis' sextet of that year, which went unrecorded. This is both evident and required in his current role since there are two drummers in the band, which forces JJ to be open, focused and free from distractions. They toured U.S. nightclubs constantly and recorded numerous albums before parting amicably, satisfied that they had fully explored (and exploited) their novel group. He became an active contributor to the Third Stream movement in jazz, (which included such other musicians as Gunther Schuller and John Lewis), and wrote a number of large-scale works which incorporated elements of both classical and jazz music. In 1961, he composed a suite in six movements, titled Perceptions, with Gillespie as soloist. Februar 2001 ebenda) war ein US-amerikanischer Komponist und Jazz-Musiker (Posaune, Komposition, Arrangement). Sein erstes aufgenommenes Solo w…

Februar 2001 erschoss er sich. During this period he also began recording as a leader of small groups featuring Max Roach, Sonny Stitt and Bud Powell. For more than 130 years, our award-winning company has been providing "That Great Gretsch Sound" to drummers around the globe. Later diagnosed with prostate cancer, Johnson maintained a positive outlook and underwent treatment. Johnson was one of the earliest trombonists to embrace bebop.[2]. In 1954 producer Ozzie Cadena, then with Savoy Records, convinced Johnson to set up a combo with trombonist Kai Winding: the "Jay and Kai Quintet". Johnson's compositions "Enigma" and "Kelo" were recorded by Davis for Blue Note and Johnson was part of the Davis studio session band that recorded the jazz classic Walkin' (1954).

In 1944, he took part in the first Jazz at the Philharmonic concert, presented in Los Angeles and organized by Norman Granz.

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